A full house inside a restored 1920s theatre, seen from the back of the stalls: warm proscenium arch, a lone speaker lit in a hard white spot, silhouetted heads filling the rows
Fourth editionMay 14–15, 2027Ambassador Theatre · Detroit

Two days.One stage.Eighteen talks.

Marquee is a conference for people who make things and then have to explain them. No tracks, no breakout rooms, no choosing between two talks you wanted to see. Everyone in one theatre, for two days.

Early-bird tickets are on sale until 31 January. Last year sold out in nine days.

Programme18 talks
FormatSingle track
Room900 seats
Since2024
TypographyMotionDesign systemsPhotographyEditorialSoundInterfacesCraftType designIllustrationTypographyMotionDesign systemsPhotographyEditorialSoundInterfacesCraftType designIllustrationTypographyMotionDesign systemsPhotographyEditorialSoundInterfacesCraftType designIllustrationTypographyMotionDesign systemsPhotographyEditorialSoundInterfacesCraftType designIllustration
The theatre lobby between talks: attendees standing in clusters under a marquee bulb sign, warm tungsten light, coffee cups, motion blur in the crowd
Close crop of a speaker mid-sentence at the lectern, hands raised, lit hard from one side against a black stage, shallow depth of field
What it is

A room wherenobody issomewhere else.

Most conferences ask you to choose. Six rooms, four tracks, and the talk everyone is quoting afterwards is the one you missed. Marquee runs one stage, from the first coffee to the last question, so that for two days everyone in the building has seen exactly the same thing. The hallway conversation gets much better when it has something to be about.

No tracks

One stage, one running order. You will not miss anything, because there is nothing to miss.

Thirty minutes

Every talk is the same length. Long enough for an argument, short enough to keep it honest.

Recorded, freely

Every talk goes online, free, within a month. The ticket buys you the room, not the video.

The line-up

Eighteen people with something to argue about

Editorial portrait of a woman in her forties with cropped silver hair and a black turtleneck, lit from one side against a deep charcoal backdrop
Adaeze Okafor

The typeface that ate the brand

Type director, Ledger Foundry

Editorial portrait of a bearded man in his thirties in a heavy knit sweater, half his face in shadow, deep charcoal backdrop
Tomas Reinholt

Everything I shipped that nobody used

Principal designer, Northbound

Editorial portrait of a young woman with long dark hair and wire-rim glasses looking directly at the lens, hard side light, deep charcoal backdrop
Mira Halvorsen

Motion is a spelling mistake

Animation lead, Studio Pell

Editorial portrait of a Black man in his fifties with close-cropped grey hair and a denim shirt, arms folded, warm rim light on a charcoal backdrop
Curtis Ambrose

Twenty years of the same three mistakes

Founder, Ambrose & Co.

Editorial portrait of an East Asian woman in her thirties with a blunt bob and a white shirt, three-quarter turn, soft key light on a charcoal backdrop
Yun-Seo Bae

Against the design system

Head of platform design, Corvid

Editorial portrait of a South Asian man in his forties in a dark jacket, laughing slightly, hard directional light on a deep charcoal backdrop
Rohan Bhatt

Photographs of things that don't exist

Image director, Field & Frame

Running order

Doors at nine. Last question at six.

Friday 14 May

Day one
09:30

The typeface that ate the brand

Adaeze Okafor · Ledger Foundry

10:10Coffee in the lobby
10:40

Motion is a spelling mistake

Mira Halvorsen · Studio Pell

11:20

Everything I shipped that nobody used

Tomas Reinholt · Northbound

12:00Lunch — served in the circle bar
13:30

Against the design system

Yun-Seo Bae · Corvid

Saturday 15 May

Day two
09:30

Photographs of things that don't exist

Rohan Bhatt · Field & Frame

10:10Coffee in the lobby
10:40

Twenty years of the same three mistakes

Curtis Ambrose · Ambrose & Co.

11:20

The client is not the audience

Ines Marchetti · Casa Verso

12:00Lunch — served in the circle bar
13:30

How to end a talk

Devon Achebe · The Long Table

Marquee 2026

Nine hundred people, two days, one very loud room

Photography by Della Okonkwo and Sam Fetterman.

Black and white photograph of the audience mid-laugh, rows of faces lit only by stage spill
Detail shot of a printed programme and a lanyard resting on a red velvet theatre seat
Wide shot of the stage from the balcony: a single speaker dwarfed by a huge projected slide of typography
Two attendees talking closely in a stairwell, warm bulb light overhead, everything else dark
The theatre's exterior marquee sign at dusk, bulbs lit, the conference name spelled out in movable letters
Tickets

One price for the room, one for the room and the workshops

All prices in USD and include tax. Invoices available at checkout.

Early bird

Until 31 January

Both days, all eighteen talks, lunch and coffee on site, the printed programme, and the after-party at the Fillmore.

$390
Buy

Standard

From 1 February

Everything in Early bird, at the price it costs us to put nine hundred people in a theatre for two days.

$490
Buy

Workshop pass

Sixty seats only

Everything above, plus the Thursday workshops: half a day each on type design, editorial systems, or photographing your own work.

$720
Buy

Student and unwaged tickets are $95, and there are forty of them. Write to us and tell us who you are — we don't ask for proof.

Partners

Paid for by people who wanted it to exist

Presenting partner
Ledger Foundry logo
Major partners
Northbound logo
Corvid logo
Supporting partners
Studio Pell logo
Field & Frame logo
Casa Verso logo
The Long Table logo
Friends of Marquee

Ambrose & Co. · Halvorsen Type · Bright Hall Press · Okonkwo Studio · Rivet & Rule · Detroit Letterpress · Verso Bindery · The Quarry Room

Questions

Things people ask before they buy

If yours isn't here, write to us. A person reads that inbox and usually answers the same day.

[email protected]

Will the talks be streamed?

No. We tried it in 2025 and it made the room worse — speakers played to the camera instead of the seats. Every talk is recorded and published free within a month, and the recordings are genuinely good. The live thing is for the people who came.

Can I transfer my ticket?

Yes, to anyone, any time up to the morning of day one. Send us the new name. There's no fee and we won't ask why.

What's the refund policy?

Full refund until 1 April, no questions. After that we'll refund if we can resell the seat, which we usually can. If something has gone wrong in your life, ask us anyway.

Is the venue accessible?

Step-free from the street to the stalls, the bar and the accessible toilets. Twelve wheelchair spaces with companion seating, a hearing loop across the whole stalls, and live captioning on the main screen for every talk. The balcony is stairs only.

Is there food?

Lunch both days is included and served in the circle bar — hot, sat down, not a sandwich in a box. Tell us about allergies and diets at checkout and we will actually cater for them.

I've never been to one of these. Will I know anyone?

Probably not, and that is the normal case. There's a first-timers' coffee at 08:45 on day one in the upstairs bar, hosted by people whose job that morning is to introduce you to somebody.

The theatre at the end of the night: house lights up, seats empty, one person still standing in the aisle looking back at the stage
Nine days is how long it took last year

Take a seatwhile therestill is one.

Get your ticketMay 14–15, 2027 · Detroit
Marquee

A two-day conference for people who make things and then have to explain them. Held at the Ambassador Theatre, 2110 Woodward Avenue, Detroit, Michigan.

[email protected]

© 2027 Marquee. Fourth edition. Detroit, Michigan.

Photography by Della Okonkwo and Sam Fetterman.

Swebsy